Head Meccano

Some years ago, I began working with large-scale sculptures and always with the aim of facilitating an understanding of the contemporary architectural and urban space; of creating a dialogue, tensions, relationships, sensations that would lead to the understand of that same space.

My conclusions are, among others,  that the relationship of the individual with the city, with its buildings, with the ´empty space` that separates them, with the internal spaces…, requires objects on an intermediate scale, ´transitional objects` towards something smaller at times or towards something larger at others.

A sculpture should not be the result of the ´whim` of the artist nor of the collector: the surroundings are decisive as decisive is the influence that this has on the form, the size, the material and the final location.